AJB Insta Links - Amy Julia Becker

Amy Julia Becker

AJB Insta Links

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A collage featuring six vertical panels. From left to right: 1) An abstract illustration of a hand with glowing string lights against a soft orange and purple background. 2) A black-and-white photo of a man in sunglasses and a suit looking down. 3) The book cover of Tell Me Everything by Elizabeth Strout, with a bird on a branch and yellow dots; labeled as part of Oprah's Book Club. 4) An abstract design with textured geometric patterns and a white soundwave icon. 5) A smiling woman with short blonde hair in a blue top. 6) A small inset of the Everything Happens podcast cover featuring host Kate Bowler.

A dark, earthy-toned image of a cracked clay pot with gold-filled seams (in the style of kintsugi) sits against a textured background.

collage of photos of AJ speaking at Bethel Walnut Hill

collage of photos of Amy Julia, Marilee, and Penny with Hope Heals friends

photo of AJ holding young Penny on her lap outside with the ocean in the background

A desolate desert landscape with cracked, dry earth extending into the distance under a dramatic, cloudy sky. A single, gnarled, leafless tree stands on the right side

A stylized painting featuring scenes of a camping trip. In the center, there is a close-up of a s'more with graham crackers, melted chocolate, and toasted marshmallow. Surrounding it are illustrations of a person playing guitar, a campfire, a rolled-up sleeping bag, a log cabin, and a white chapel

A brightly lit marquee for The Walter Kerr Theatre in New York City is shown at night. The sign features colorful, ornate lights framing a poster for the Broadway musical Hadestown. The poster depicts a hand holding a red flower against a dark, smoky background. The title “HADESTOWN” is prominently displayed

RFK Jr. stands at a podium with a microphone in front of flags from the U.S. Department of Health and Public Health Service.

photo of a blurred eagle in flight with tree branches in focus

photo of Jon Batiste playing a grand piano on a dark stage

Stylized illustration of diverse, abstract human figures in warm and cool tones sitting closely together, symbolizing unity and connection.

I'm holding newborn Penny in a hospital bed

A woodblock print depicting a serene Japanese landscape with a body of water, trees, and distant mountains under a cloudy sky.

A digital collage featuring a video cut out of me speaking with a background behind me of a retail store and an advertisement for children's clothing. The ad features a young girl with Down syndrome wearing a pink shirt and smiling. A large speech bubble overlays the image with the text: "WHAT DO I THINK ABOUT... people with disabilities being in ads, TV shows, etc/?”

Our family with three teenagers together for spring break on a sandy beach with ocean waves in the background.

George Inness, Landscape, 1888, oil on canvas, 22 1/8 x 27 9/16 in. The Cleveland Museum of Art, Gift of the Estate of Charles F. Brush 1929.464

This image is a collage featuring five different media recommendations. From left to right: 1. The Russell Moore Show – A podcast with a blue background and black-and-white text. 2. The Lucky Few Podcast – A podcast featuring an image of three women smiling and engaged in conversation. 3. Memorial Days by Geraldine Brooks – A memoir displayed as a book cover, with a hand holding the book. The cover features a desert-like landscape. 4. The Good Hard Story Podcast with Katherine Wolf – A podcast with a soft, neutral-toned design featuring Katherine Wolf 5. Ezra – A film starring Bobby Cannavale, Robert De Niro, Rose Byrne, Vera Farmiga, and Whoopi Goldberg.

Penny sits at a wooden table in a softly lit room. She is writing in a notebook. A small table lamp with a white shade provides light. A red pencil case sits on the desk near the lamp.

A diverse group of people with disabilities, including individuals using wheelchairs, a person with Down syndrome, and a little person in scrubs, are depicted in a vibrant setting with a yellow background. They are outlined in white and engaged in various actions such as speaking, gesturing, and holding objects like a clothing hanger.

The image shows the cover of a book titled "Aflame: Learning from Silence" by Pico Iyer. The cover has an orange and red color scheme with a radiating circular design in the center. The background behind the book cover is a scenic landscape featuring rolling hills, a body of water, a burning forest, and a monastery or church building, all enveloped in warm orange tones, symbolizing the theme of fire or intensity suggested by the title.

A close-up photograph of a laptop screen displaying an online news article. The article's headline reads, "The Trump administration's rhetoric about disability diminishes us all." The page features an image of former U.S. President Donald Trump speaking at a podium, with other smaller images below.

a cartoonized photo of Penny, with her glasses and light brown hair visible behind a book, is reading a colorful children's book.

This image is a digital painting with a cubist-inspired abstract design. It features fragmented architectural elements such as arches, towers, and domes in warm earth tones of brown, beige, and ochre, contrasted with cool blues. Some circular and reflective elements add depth and dimension, giving the composition a surreal quality. The style resembles a fusion of modern abstraction with historical architecture, creating a dreamlike cityscape.

a collage of five book covers. From left to right: A book cover featuring a blonde woman in a light-colored blazer sitting on a couch. The title and author are partially obscured. "One of Us Is Lying" by Karen M. McManus. The cover has a red title with a handwritten style over images of four students with their faces obscured. "The Long Call" by Ann Cleeves. A blue-toned cover with an image of a coastal landscape, featuring a house and birds flying overhead. A black-and-white historical photograph of people with disabilities protesting, one holding a sign that says, "We shall overcome." A bright orange cover with large white and red text reading "Good Faith," accompanied by the authors’ names, Curtis and another partially hidden name.

A vast refugee camp stretches across a valley, filled with countless makeshift tents in shades of orange, blue, and brown. The tents are densely packed and blend into the dusty, earth-toned landscape. In the background, mountains rise under a golden-hued sky, with a distant body of water reflecting the light

A digital painting depicts two people walking along a curved road lined with utility poles and trees. The scene is infused with an abstract and expressive style, featuring bold brushstrokes and a blend of warm and cool tones—vibrant oranges and yellows contrast with deep blues and purples. The figures cast long shadows on the reflective surface of the road, suggesting early morning or late afternoon light. The sky and background elements are loosely defined, with intersecting lines adding movement and energy to the composition.

Amy Julia sits at a wooden table and looks off into the distance.

I stand at a wooden podium, speaking to an audience in a cozy room. A screen behind me displays the presentation title: "Belonging & Mattering: Creating a Meaningful and Manageable Plan for a Good Future."

lined paper in a notebook with hard-to-read writing and a wooden cross resting on top

Abstract painting with human figures in blue, set against a geometric background of yellow and white. The figures appear engaged in movement or interaction, with elongated forms and flowing garments. The composition blends cubist and modernist styles, creating a sense of depth and fluidity.

collage of covers of books, podcasts and shows mentioned in post

A cropped image of President Trump standing behind a podium with the seal of the President of the United States. He is wearing a dark suit, a white shirt, and a red tie, holding a piece of paper. The background features the American flag and the presidential flag.

Penny singing karoke with friends at Hope Heals Camp.

Woman using a Wheelchair Holding Hands with a Girl

Amy Julia peaking at the front of the church sanctuary, which has traditional architecture, featuring wooden pews, high ceilings with exposed beams, and large hanging lanterns.

a 2012 photo of Penny crouching in the grass in a garden, covering her face with both hands. Behind her, there is a backdrop of yellow flowers and dark green foliage

Amy Julia sits against a white pillar on a porch, gazing into the distance with a contemplative expression. The background features glass doors with a dark interior visible through them.

a person writing on a piece of paper, with a pen in one hand and the other hand resting nearby. The scene has a textured, overlay effect with shades of blue and green, giving it an artistic and contemplative atmosphere

Penny pushes a shopping cart full of Target bags toward the parking lot

An art exhibit created by Rachel Handlin featuring a large vintage camera on a tripod, a wireframe outline of a human figure, and a photo displayed on the wall with descriptive text.

Rachel and Penny are wearing matching blue pajamas with white polka dots are giving each other a hug.

Penny getting muffins out of the oven

book and movie covers of favorites mentioned in the post

a 2016 photo of an assortment of Christmas cookies, decorated by our children, on a table with a white tablecloth

Penny dances with a partner on stage for The Nutcracker

Amy Julia's family working together in a kitchen: Peter and William unload the dishwasher, while Amy Julia and Penny are in the background.

an ipad on a desk next to a cup of coffee and a keyboard. An essay is on the ipad screen.

film cover of The Best Christmas Pageant Ever

collage of photos of Penny going through airpot security by herself and Peter watching closely

snow-covered cedar tree with a pink sunrise and snowy field in the background

Promotional card for a podcast episode featuring Robin Wall Kimmerer titled 'The Antidote to Not-Enoughness,' dated November 20, 2024. The tagline reads: 'Radical strategies for the scarcity mindset.' The card includes a circular portrait of the speaker, set against a vibrant blue background with text announcing the 'Ten Percent Happier Podcast Episodes

dark puddle with autumn leaves and bare branches reflected

An image featuring a tablet placed on a white desk alongside a laptop, a cup of coffee with latte art, a pencil, and notebooks. The tablet displays a video call, showing two women engaging in a discussion. The top half of the screen shows Amy Julia speaking into a microphone, with the text overlay 'TO BE HUMAN,' while the bottom half features Rosemarie in a smaller window with a background of bookshelves.

an open Plough magazine featuring an article titled "The Body She Had" by Rosemarie Garland-Thomson.

Penny stands at the front of the church holding a mic and leading the congregation in reading the Lord's prayer

a dark, overcast sky with heavy clouds, casting a moody atmosphere over a field of tall grass

foggy winter forest

Washington DC capitol divided politics

Peter and Penny take a selfie outside by a Vote Today sign

collage of photos of Penny voting in her first presidential election

collage of the Becker family at Yankees games

2013 Peter sits in the center of the couch, laughing and embracing Penny, William, and Marilee

A photo from 2011 of Penny, who has Down syndrome, dressed as a doctor in a white lab coat, walking and waving during a parade. She is participating with other children, who are dressed in various colorful costumes

blue graphic with text that says; being an adult does not equal being independent

a photo in the middle is of Amy Julia smiles at baby Penny in her arms, who has Down syndrome and is wearing a white dress and looking back with a playful expression. They are outside on a sunny day, with greenery in the background. On either side of the photo are screenshots of a new study about developmental milestones for children with Down syndrome

s the shape of a cross on her hands. He is leaning in slightly. Both are wearing light blue Hope Heals T-shirts. In the background, other people can be seen in a room with tables, creating a warm, communal atmosphere. The mood of the scene is caring and supportive.

An ipad is on a desk. On the screen is a reel where Amy Julia is talking. At the top is text that says: using our strength to lift up. On the background is a photo of Kamala Harris in a beige coat speaking to a group in a factory. Below them, a quote reads “The strength that we each have is to lift one another up, not to push people down."

The image shows a surreal scene where an open book lies on a grassy hill, with its pages forming a winding path that stretches into the distance, disappearing into the horizon where the sun is setting over an ocean. The path, which consists of text from the book, connects the open book to a small house on one side and a large tree on the other. The landscape is lush, with green fields, trees, and a calm, deep-blue ocean. The overall atmosphere evokes a sense of journey, knowledge, and adventure, blending nature and literature.

desk with a laptop and cup of coffee and an ipad. On the ipad screen is an image. The image shows a combination of a news article and Amy Julia addressing the camera in a split-screen format. The upper part displays a New York Times headline titled "Today's Parents: 'Exhausted, Burned Out and Perpetually Behind'" with a brief summary: "The surgeon general is warning about parents' stress, a sign that intensive parenting may have become too intense for parents.”

Penny and Amy Julia walking side by side on a dirt path, holding hands. One is wearing a pink top with dark blue jeans, and the other is wearing a blue top with white pants. Both are wearing sandals, and the image captures them mid-step.

an ipad with a screenshot of a cutout video of Amy Julia talking is over two news headlines: "Trump repeats insults about Harris' mental state as some GOP allies urge him to stick to issues" The second headline reads "Trump Calls Harris 'Mentally Impaired' After her Trip to the Border”

Penny and Amy Julia are walking hand in hand outdoors on a sunny day. Amy Julia is looking down at Penny and smiling warmly as they share a moment. They are walking along a dirt path with green grass and tall plants in the background, under a clear blue sky

laptop with the Plough essay Simple Ways to Combat Smartphone addiction on the screen

Amy Julia's family stands at the front of the church facing the congregation. The pastor stands next to them reading

Penny sits in a chair by a window. She is talking to Amy Julia about her first weeks of college.

photo taken at Target of large, Target-branded ads of children with Down syndrome wearing Target clothing

screenshot of Amy Julia recording a podcast. She is sitting in her office with a mic in front of her. She is smiling widely!

Peter looks down at baby Penny in his arms soon after he found out she had Down syndrome. She is wearing a slightly askew, striped hat

2011 photo of Penny holding a copy of GPG. She is wearing pigtails and smiling as she looks over her glasses

Penny looks at the camera as we sit in the car and I record her initial thoughts about starting college. Over the photo is a white play-button graphic

photo of baby Penny sitting on a blanket

cropped cartoon drawing of Gus Walz giving his dad a hug

graphic from one of my august favorite things, the Plough essay The Hospitality of Need

screenshot of Amy Julia outside recording a video about aging

Amy Julia sits in a bed and looks down at baby Penny in her arms

a camp building designed with universal design; a ramp leads to the front door, which has an accessible entrance

Katherine Wolf and Penny give each other a hug. They are both wearing Hope Heals Camp t-shirts

collage of photos of family and friends celebrating William's 16th birthday

the capitol building with half of it highlighted in red and half in blue to represent politicians and their political parties

a group of children and young adults on stage with musicians

Photo of a bird sitting on an electrical wire silhouetted against a dark, cloudy sky

graphic with two photos, one of LeBron James playing basketball and one of Eric Liddell running

photo of Penny and other teens with disabilities standing in front of a lemonade stand and waving

Penny on stage at Hope Heals Camp several years ago.

collage of photos of Penny at Camp Pals with friends

Penny and Amy Julia stand in a kitchen holding platters of food and smiling at the camera.

A blurry photo taken from a car of Penny pedaling on a tandem bike behind Peter. William is on another bike behind them.

photo of Peter, Amy Julia, Marilee, Penny, and William posing for a selfie in front of a sunset over water with photo overlay of The Anxious Generation book

photo from 2008 of Peter holding two-year-old Penny on his shoulders with the ocean in the background]

blurred bookshelves in the background with three book photos featured of: A Measure of Intelligence, Generation Awakened, and The Human Condition

photo of Penny dancing on stage with other dancers. She is wearing a purple dance costume and holding flowers; inside the photo is a blue-framed photo of Penny as a toddler wearing a pink tutu

photo of peonies in a vase on a table with a window behind

photo of Penny when she was five years old. She is standing on a wooden railing, with her back to the camera, and looking at a blurred creek below

photo of Amy Julia holding toddler Penny. They are looking at each other and smiling

3 photos of Penny from graduation day

blue graphic with a quote bubble and text inside that says: There is something fundamentally human about disability.

Peter and Amy Julia stand outside in front of green trees and bushes. They smile at the camera with their arms around each other

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Meghan Sullivan. On the far right is a photo of Amy Julia.

Penny dances on stage with other performers

dark blue graphic with text that says: What ideas and systems and stories have deformed our collective imagination

a piece of white paper on a wooden table with the words written in marker: Why Belonging Matters

collage of 3 photos from Penny's senior project. On the left, Amy Julia, Peter, and Penny pose together with Penny's presentation on a screen behind them. In the middle is a photo of Penny standing at a classroom podium and smiling widely at her audience. To the right is a photo of Penny posing with three girls who are in college and who came to watch Penny's senior project presentation

collage of three photos of Penny ready for senior prom and standing in front of a flowering bush: one is with Peter, one by herself, and one with Amy Julia

screenshot of Washington Post essay "A mystery illness stole their kids' personalities. These moms fought for answers" and photo of a mother and a daughter, who has Down syndrome, giving each other a hug

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Amy Lutz. On the far right is a photo of Amy Julia.

collage of covers of some of the books, films, and podcasts mentioned in post

screenshot of The Disruptors documentary cover, which shows a young child staring and the title overlay in yellow/orange block letters

wadded up tissues on top of the Treasures in the Darkness book

creenshot of Flannery O'Connor reading a letter by a mailbox from the Wildcat movie trailer

collage of photos from the weekend

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Katherine Wolf. On the far right is a photo of Amy Julia.

an old photo of two women and a child lying on a beach pad with water behind them

a doctor using a stethoscope to listen to the heartbeat of a young girl who has Down syndrome

Katie Kishore and Amy Julia stand in Kindness Cafe with their arms around each other and smile at the camera

ark-tinted photo of a pink blossom on a tree branch

photo of a mama bear and cubs in woods

collage of photos of Penny on senior trip

photo of Amy Julia and Penny standing in front of a marsh with water, grass, and blue sky behind them

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Michael Wear. On the far right is a photo of Amy Julia.

collage of photos of Hope heals and Mend Coffee

collage of photos of Penny and two friends from Hope Heals visiting the Aquarium in Atlanta and prom dress shopping

Screenshot of the cover of the article “Exhibit Traces ‘Unfinished Journey’ Of Those With IDD “. Lee Shervheim, left and his daughter Emie Shervheim 20, look over the exhibit "An Unfinished Journey" in the Federal Courts lobby of the U.S. Courthouse in Minneapolis. (Jerry Holt/Star Tribune/TNS)

photos of Penny traveling to Atlanta and posing with friends from Hope Heals Camp who are in Atlanta

photos of Amy Julia with people she connected with at the Festival of Faith and Writing

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Micha Boyett. On the far right is a photo of Amy Julia.

Penny dances on stage with a scene from the Nutcracker behind her. She and two other dances wear tutu dresses and have their arms rounded and raised above their heads

gradient blue background with geometric shapes and a speech bubble in the middle that says, "Is your daughter low functioning?"

Penny poses inside wearing a Post University t-shirt and holding a Post University orange water bottle as she smiles at the camera

the eclipse framed by trees with a person looking up barely visible in the darkness

a graphic with two photos, one of hands holding a coffee cup and one of the interior of an empty church sanctuary

dark-tinted photo of a purple and a yellow tulip

candid photo of Amy Julia's family grouped together smiling for a selfie outside in front of a house

a screenshot of the NYT essay cover, which is a close-up view of Ashlee Wiseman, bending down to kiss her daughter, Lennie, who is lying on a red blanket. Below is text that says: “‘A Chance to Live’: How 2 Families Faced a Catastrophic Birth Defect. Cases of trisomy 18 may rise as many states restrict abortion. But some women choose to have the babies, love them tenderly and care for them devotedly.”

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Nancy French, a white woman against a neutral background. On the far right is a photo of Amy Julia, a white woman who is wearing a blue shirt and smiling at the camera with her arms crossed in front of her.

photo of geese flying against a dark blue sky that lightens toward the bottom

photo of bare tree branches reflected in a dark puddle of water

Amy Julia and Marilee sit at a linen-covered table on the beach and look out at the sunset over the ocean

screenshot of "Assume that I can" ad which shows a young woman with Down syndrome surrounded by young men with Down syndrome and yellow text overlay that says, "Assume that I can so maybe I will."

an outdoor photo of William, a teenage boy, Penny, a teenage girl with Down syndrome, and their mom, Amy Julia, leaning in close together and smiling at the camera

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Andrew Draper, a white man wearing a suit jacket sitting in front of a dark gray door. On the far right is a photo of Amy Julia, a white woman who is wearing a blue shirt and smiling at the camera with her arms crossed in front of her.

photo from 2022 of Amy Julia, who smiles at the camera and sits at a desk. On the desk, the book To Be Made Well is propped up in front of stacks of books next to a white mug

a photo of 3 teen siblings—Marilee wearing a pink dress, William in the middle wearing a blue shirt, and Penny on the right wearing a blue dress—giving each other a group hug in front of a faint sunset over the ocean

Penny, dressed in her blue and white cheerleading uniform and wearing a jean jacket over it and a pink bow in hair, walks down the school hallway away from the camera

Amy Julia shakes a woman’s hand in a church foyer

screenshot of the cover photo for the "The Blurring Is Part of the Beauty" Comment essay. The photo is of an older man grinning broadly and looking in to the face of a younger man who is touching his chin with his fingers

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Jessica Hooten Wilson, a white woman wearing a pink shirt. She is sitting at a desk in front of full book shelves. On the far right is a photo of Amy Julia, a white woman who is wearing a blue shirt and smiling at the camera with her arms crossed in front of her

a photo looking down at a cluttered desk; in view is a nearly empty, white mug, a coaster that says "Life to the Full," a hair tie, napkins, and papers and envelopes

Amy Julia, a white woman, leans in close to her teenage daughter Penny, who has Down syndrome. They are outside wearing winter coats and hats and are surrounded by smiling women

covers of the books It. Goes. So. Fast. and Practicing the Way, and the cover of the movie Rustin

blurred purple background with a screenshot in the middle from the NYT Essay "Toxic Beauty Standards Can Be Passed Down"

dark blue waves in a storm

a graphic with a screenshot of a NYT essay titled “Scientists find genetic signature of Down syndrome in ancient bones.” The essay also includes a photo of human bones arranged on a blue background.

a photo of a young girl sitting in a church pew looking at the large glass windows at the front of the church

Amy Julia, Penny, and Peter stand at center court and smile towards the camera. Penny is wearing her cheerleading uniform and holding a bouquet of flowers for senior night

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Andrew Leland, who is a white man wearing a yellow shirt and sitting on a bench. On the far right is a photo of Amy Julia, a white woman who is wearing a blue shirt and smiling at the camera with her arms crossed in front of her

3 children sit on a blanket in the grass and smile at the camera with big grins.

Penny is sitting at a table with a laptop, focused on the screen

light blue graphic and in the center is a dark blue graphic with right-aligned, all-caps text that says: "Reimagining the Good Life." Underneath is a thin yellow line, followed by white text: "Disability. Faith. Culture."

gradient light blue and brown graphic with the covers of the books Practicing the Way an the Wood Between the Worlds

dark blue graphic with cutout photo of Amy Julia, intertwined blue and yellow partial circles, and text that says: Reimagining the Good Life with Amy Julia Becker

the traditional blue and pink striped blanket that babies are wrapped in in the hospital

large piece of paper on a white board with writing from Penny's PATH meeting

snowboarders in the distance looking toward a mountain in front of them

gradient blue graphic with photo of Sarah Bessey in front of a lake with text that says Love Is Stronger Than Fear with Amy Julia Becker and the cover of Sarah’s book: Field Notes for the Wilderness

the book Being Heumann is on a wooden table

a large piece of white paper is on a wooden floor with the following written in large, all caps letters: “Disability and suffering are not the same."

Amy Julia stands outside and holds a young Penny as they grin at each other.

A collage featuring six vertical panels. From left to right: 1) An abstract illustration of a hand with glowing string lights against a soft orange and purple background. 2) A black-and-white photo of a man in sunglasses and a suit looking down. 3) The book cover of Tell Me Everything by Elizabeth Strout, with a bird on a branch and yellow dots; labeled as part of Oprah's Book Club. 4) An abstract design with textured geometric patterns and a white soundwave icon. 5) A smiling woman with short blonde hair in a blue top. 6) A small inset of the Everything Happens podcast cover featuring host Kate Bowler.

A dark, earthy-toned image of a cracked clay pot with gold-filled seams (in the style of kintsugi) sits against a textured background.

collage of photos of AJ speaking at Bethel Walnut Hill

collage of photos of Amy Julia, Marilee, and Penny with Hope Heals friends

photo of AJ holding young Penny on her lap outside with the ocean in the background

A desolate desert landscape with cracked, dry earth extending into the distance under a dramatic, cloudy sky. A single, gnarled, leafless tree stands on the right side

A stylized painting featuring scenes of a camping trip. In the center, there is a close-up of a s'more with graham crackers, melted chocolate, and toasted marshmallow. Surrounding it are illustrations of a person playing guitar, a campfire, a rolled-up sleeping bag, a log cabin, and a white chapel

A brightly lit marquee for The Walter Kerr Theatre in New York City is shown at night. The sign features colorful, ornate lights framing a poster for the Broadway musical Hadestown. The poster depicts a hand holding a red flower against a dark, smoky background. The title “HADESTOWN” is prominently displayed

RFK Jr. stands at a podium with a microphone in front of flags from the U.S. Department of Health and Public Health Service.

photo of a blurred eagle in flight with tree branches in focus

photo of Jon Batiste playing a grand piano on a dark stage

Stylized illustration of diverse, abstract human figures in warm and cool tones sitting closely together, symbolizing unity and connection.

I'm holding newborn Penny in a hospital bed

A woodblock print depicting a serene Japanese landscape with a body of water, trees, and distant mountains under a cloudy sky.

A digital collage featuring a video cut out of me speaking with a background behind me of a retail store and an advertisement for children's clothing. The ad features a young girl with Down syndrome wearing a pink shirt and smiling. A large speech bubble overlays the image with the text: "WHAT DO I THINK ABOUT... people with disabilities being in ads, TV shows, etc/?”

Our family with three teenagers together for spring break on a sandy beach with ocean waves in the background.

George Inness, Landscape, 1888, oil on canvas, 22 1/8 x 27 9/16 in. The Cleveland Museum of Art, Gift of the Estate of Charles F. Brush 1929.464

This image is a collage featuring five different media recommendations. From left to right: 1. The Russell Moore Show – A podcast with a blue background and black-and-white text. 2. The Lucky Few Podcast – A podcast featuring an image of three women smiling and engaged in conversation. 3. Memorial Days by Geraldine Brooks – A memoir displayed as a book cover, with a hand holding the book. The cover features a desert-like landscape. 4. The Good Hard Story Podcast with Katherine Wolf – A podcast with a soft, neutral-toned design featuring Katherine Wolf 5. Ezra – A film starring Bobby Cannavale, Robert De Niro, Rose Byrne, Vera Farmiga, and Whoopi Goldberg.

Penny sits at a wooden table in a softly lit room. She is writing in a notebook. A small table lamp with a white shade provides light. A red pencil case sits on the desk near the lamp.

A diverse group of people with disabilities, including individuals using wheelchairs, a person with Down syndrome, and a little person in scrubs, are depicted in a vibrant setting with a yellow background. They are outlined in white and engaged in various actions such as speaking, gesturing, and holding objects like a clothing hanger.

The image shows the cover of a book titled "Aflame: Learning from Silence" by Pico Iyer. The cover has an orange and red color scheme with a radiating circular design in the center. The background behind the book cover is a scenic landscape featuring rolling hills, a body of water, a burning forest, and a monastery or church building, all enveloped in warm orange tones, symbolizing the theme of fire or intensity suggested by the title.

A close-up photograph of a laptop screen displaying an online news article. The article's headline reads, "The Trump administration's rhetoric about disability diminishes us all." The page features an image of former U.S. President Donald Trump speaking at a podium, with other smaller images below.

a cartoonized photo of Penny, with her glasses and light brown hair visible behind a book, is reading a colorful children's book.

This image is a digital painting with a cubist-inspired abstract design. It features fragmented architectural elements such as arches, towers, and domes in warm earth tones of brown, beige, and ochre, contrasted with cool blues. Some circular and reflective elements add depth and dimension, giving the composition a surreal quality. The style resembles a fusion of modern abstraction with historical architecture, creating a dreamlike cityscape.

a collage of five book covers. From left to right: A book cover featuring a blonde woman in a light-colored blazer sitting on a couch. The title and author are partially obscured. "One of Us Is Lying" by Karen M. McManus. The cover has a red title with a handwritten style over images of four students with their faces obscured. "The Long Call" by Ann Cleeves. A blue-toned cover with an image of a coastal landscape, featuring a house and birds flying overhead. A black-and-white historical photograph of people with disabilities protesting, one holding a sign that says, "We shall overcome." A bright orange cover with large white and red text reading "Good Faith," accompanied by the authors’ names, Curtis and another partially hidden name.

A vast refugee camp stretches across a valley, filled with countless makeshift tents in shades of orange, blue, and brown. The tents are densely packed and blend into the dusty, earth-toned landscape. In the background, mountains rise under a golden-hued sky, with a distant body of water reflecting the light

A digital painting depicts two people walking along a curved road lined with utility poles and trees. The scene is infused with an abstract and expressive style, featuring bold brushstrokes and a blend of warm and cool tones—vibrant oranges and yellows contrast with deep blues and purples. The figures cast long shadows on the reflective surface of the road, suggesting early morning or late afternoon light. The sky and background elements are loosely defined, with intersecting lines adding movement and energy to the composition.

Amy Julia sits at a wooden table and looks off into the distance.

I stand at a wooden podium, speaking to an audience in a cozy room. A screen behind me displays the presentation title: "Belonging & Mattering: Creating a Meaningful and Manageable Plan for a Good Future."

lined paper in a notebook with hard-to-read writing and a wooden cross resting on top

Abstract painting with human figures in blue, set against a geometric background of yellow and white. The figures appear engaged in movement or interaction, with elongated forms and flowing garments. The composition blends cubist and modernist styles, creating a sense of depth and fluidity.

collage of covers of books, podcasts and shows mentioned in post

A cropped image of President Trump standing behind a podium with the seal of the President of the United States. He is wearing a dark suit, a white shirt, and a red tie, holding a piece of paper. The background features the American flag and the presidential flag.

Penny singing karoke with friends at Hope Heals Camp.

Woman using a Wheelchair Holding Hands with a Girl

Amy Julia peaking at the front of the church sanctuary, which has traditional architecture, featuring wooden pews, high ceilings with exposed beams, and large hanging lanterns.

a 2012 photo of Penny crouching in the grass in a garden, covering her face with both hands. Behind her, there is a backdrop of yellow flowers and dark green foliage

Amy Julia sits against a white pillar on a porch, gazing into the distance with a contemplative expression. The background features glass doors with a dark interior visible through them.

a person writing on a piece of paper, with a pen in one hand and the other hand resting nearby. The scene has a textured, overlay effect with shades of blue and green, giving it an artistic and contemplative atmosphere

Penny pushes a shopping cart full of Target bags toward the parking lot

An art exhibit created by Rachel Handlin featuring a large vintage camera on a tripod, a wireframe outline of a human figure, and a photo displayed on the wall with descriptive text.

Rachel and Penny are wearing matching blue pajamas with white polka dots are giving each other a hug.

Penny getting muffins out of the oven

book and movie covers of favorites mentioned in the post

a 2016 photo of an assortment of Christmas cookies, decorated by our children, on a table with a white tablecloth

Penny dances with a partner on stage for The Nutcracker

Amy Julia's family working together in a kitchen: Peter and William unload the dishwasher, while Amy Julia and Penny are in the background.

an ipad on a desk next to a cup of coffee and a keyboard. An essay is on the ipad screen.

film cover of The Best Christmas Pageant Ever

collage of photos of Penny going through airpot security by herself and Peter watching closely

snow-covered cedar tree with a pink sunrise and snowy field in the background

Promotional card for a podcast episode featuring Robin Wall Kimmerer titled 'The Antidote to Not-Enoughness,' dated November 20, 2024. The tagline reads: 'Radical strategies for the scarcity mindset.' The card includes a circular portrait of the speaker, set against a vibrant blue background with text announcing the 'Ten Percent Happier Podcast Episodes

dark puddle with autumn leaves and bare branches reflected

An image featuring a tablet placed on a white desk alongside a laptop, a cup of coffee with latte art, a pencil, and notebooks. The tablet displays a video call, showing two women engaging in a discussion. The top half of the screen shows Amy Julia speaking into a microphone, with the text overlay 'TO BE HUMAN,' while the bottom half features Rosemarie in a smaller window with a background of bookshelves.

an open Plough magazine featuring an article titled "The Body She Had" by Rosemarie Garland-Thomson.

Penny stands at the front of the church holding a mic and leading the congregation in reading the Lord's prayer

a dark, overcast sky with heavy clouds, casting a moody atmosphere over a field of tall grass

foggy winter forest

Washington DC capitol divided politics

Peter and Penny take a selfie outside by a Vote Today sign

collage of photos of Penny voting in her first presidential election

collage of the Becker family at Yankees games

2013 Peter sits in the center of the couch, laughing and embracing Penny, William, and Marilee

A photo from 2011 of Penny, who has Down syndrome, dressed as a doctor in a white lab coat, walking and waving during a parade. She is participating with other children, who are dressed in various colorful costumes

blue graphic with text that says; being an adult does not equal being independent

a photo in the middle is of Amy Julia smiles at baby Penny in her arms, who has Down syndrome and is wearing a white dress and looking back with a playful expression. They are outside on a sunny day, with greenery in the background. On either side of the photo are screenshots of a new study about developmental milestones for children with Down syndrome

s the shape of a cross on her hands. He is leaning in slightly. Both are wearing light blue Hope Heals T-shirts. In the background, other people can be seen in a room with tables, creating a warm, communal atmosphere. The mood of the scene is caring and supportive.

An ipad is on a desk. On the screen is a reel where Amy Julia is talking. At the top is text that says: using our strength to lift up. On the background is a photo of Kamala Harris in a beige coat speaking to a group in a factory. Below them, a quote reads “The strength that we each have is to lift one another up, not to push people down."

The image shows a surreal scene where an open book lies on a grassy hill, with its pages forming a winding path that stretches into the distance, disappearing into the horizon where the sun is setting over an ocean. The path, which consists of text from the book, connects the open book to a small house on one side and a large tree on the other. The landscape is lush, with green fields, trees, and a calm, deep-blue ocean. The overall atmosphere evokes a sense of journey, knowledge, and adventure, blending nature and literature.

desk with a laptop and cup of coffee and an ipad. On the ipad screen is an image. The image shows a combination of a news article and Amy Julia addressing the camera in a split-screen format. The upper part displays a New York Times headline titled "Today's Parents: 'Exhausted, Burned Out and Perpetually Behind'" with a brief summary: "The surgeon general is warning about parents' stress, a sign that intensive parenting may have become too intense for parents.”

Penny and Amy Julia walking side by side on a dirt path, holding hands. One is wearing a pink top with dark blue jeans, and the other is wearing a blue top with white pants. Both are wearing sandals, and the image captures them mid-step.

an ipad with a screenshot of a cutout video of Amy Julia talking is over two news headlines: "Trump repeats insults about Harris' mental state as some GOP allies urge him to stick to issues" The second headline reads "Trump Calls Harris 'Mentally Impaired' After her Trip to the Border”

Penny and Amy Julia are walking hand in hand outdoors on a sunny day. Amy Julia is looking down at Penny and smiling warmly as they share a moment. They are walking along a dirt path with green grass and tall plants in the background, under a clear blue sky

laptop with the Plough essay Simple Ways to Combat Smartphone addiction on the screen

Amy Julia's family stands at the front of the church facing the congregation. The pastor stands next to them reading

Penny sits in a chair by a window. She is talking to Amy Julia about her first weeks of college.

photo taken at Target of large, Target-branded ads of children with Down syndrome wearing Target clothing

screenshot of Amy Julia recording a podcast. She is sitting in her office with a mic in front of her. She is smiling widely!

Peter looks down at baby Penny in his arms soon after he found out she had Down syndrome. She is wearing a slightly askew, striped hat

2011 photo of Penny holding a copy of GPG. She is wearing pigtails and smiling as she looks over her glasses

Penny looks at the camera as we sit in the car and I record her initial thoughts about starting college. Over the photo is a white play-button graphic

photo of baby Penny sitting on a blanket

cropped cartoon drawing of Gus Walz giving his dad a hug

graphic from one of my august favorite things, the Plough essay The Hospitality of Need

screenshot of Amy Julia outside recording a video about aging

Amy Julia sits in a bed and looks down at baby Penny in her arms

a camp building designed with universal design; a ramp leads to the front door, which has an accessible entrance

Katherine Wolf and Penny give each other a hug. They are both wearing Hope Heals Camp t-shirts

collage of photos of family and friends celebrating William's 16th birthday

the capitol building with half of it highlighted in red and half in blue to represent politicians and their political parties

a group of children and young adults on stage with musicians

Photo of a bird sitting on an electrical wire silhouetted against a dark, cloudy sky

graphic with two photos, one of LeBron James playing basketball and one of Eric Liddell running

photo of Penny and other teens with disabilities standing in front of a lemonade stand and waving

Penny on stage at Hope Heals Camp several years ago.

collage of photos of Penny at Camp Pals with friends

Penny and Amy Julia stand in a kitchen holding platters of food and smiling at the camera.

A blurry photo taken from a car of Penny pedaling on a tandem bike behind Peter. William is on another bike behind them.

photo of Peter, Amy Julia, Marilee, Penny, and William posing for a selfie in front of a sunset over water with photo overlay of The Anxious Generation book

photo from 2008 of Peter holding two-year-old Penny on his shoulders with the ocean in the background]

blurred bookshelves in the background with three book photos featured of: A Measure of Intelligence, Generation Awakened, and The Human Condition

photo of Penny dancing on stage with other dancers. She is wearing a purple dance costume and holding flowers; inside the photo is a blue-framed photo of Penny as a toddler wearing a pink tutu

photo of peonies in a vase on a table with a window behind

photo of Penny when she was five years old. She is standing on a wooden railing, with her back to the camera, and looking at a blurred creek below

photo of Amy Julia holding toddler Penny. They are looking at each other and smiling

3 photos of Penny from graduation day

blue graphic with a quote bubble and text inside that says: There is something fundamentally human about disability.

Peter and Amy Julia stand outside in front of green trees and bushes. They smile at the camera with their arms around each other

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Meghan Sullivan. On the far right is a photo of Amy Julia.

Penny dances on stage with other performers

dark blue graphic with text that says: What ideas and systems and stories have deformed our collective imagination

a piece of white paper on a wooden table with the words written in marker: Why Belonging Matters

collage of 3 photos from Penny's senior project. On the left, Amy Julia, Peter, and Penny pose together with Penny's presentation on a screen behind them. In the middle is a photo of Penny standing at a classroom podium and smiling widely at her audience. To the right is a photo of Penny posing with three girls who are in college and who came to watch Penny's senior project presentation

collage of three photos of Penny ready for senior prom and standing in front of a flowering bush: one is with Peter, one by herself, and one with Amy Julia

screenshot of Washington Post essay "A mystery illness stole their kids' personalities. These moms fought for answers" and photo of a mother and a daughter, who has Down syndrome, giving each other a hug

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Amy Lutz. On the far right is a photo of Amy Julia.

collage of covers of some of the books, films, and podcasts mentioned in post

screenshot of The Disruptors documentary cover, which shows a young child staring and the title overlay in yellow/orange block letters

wadded up tissues on top of the Treasures in the Darkness book

creenshot of Flannery O'Connor reading a letter by a mailbox from the Wildcat movie trailer

collage of photos from the weekend

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Katherine Wolf. On the far right is a photo of Amy Julia.

an old photo of two women and a child lying on a beach pad with water behind them

a doctor using a stethoscope to listen to the heartbeat of a young girl who has Down syndrome

Katie Kishore and Amy Julia stand in Kindness Cafe with their arms around each other and smile at the camera

ark-tinted photo of a pink blossom on a tree branch

photo of a mama bear and cubs in woods

collage of photos of Penny on senior trip

photo of Amy Julia and Penny standing in front of a marsh with water, grass, and blue sky behind them

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Michael Wear. On the far right is a photo of Amy Julia.

collage of photos of Hope heals and Mend Coffee

collage of photos of Penny and two friends from Hope Heals visiting the Aquarium in Atlanta and prom dress shopping

Screenshot of the cover of the article “Exhibit Traces ‘Unfinished Journey’ Of Those With IDD “. Lee Shervheim, left and his daughter Emie Shervheim 20, look over the exhibit "An Unfinished Journey" in the Federal Courts lobby of the U.S. Courthouse in Minneapolis. (Jerry Holt/Star Tribune/TNS)

photos of Penny traveling to Atlanta and posing with friends from Hope Heals Camp who are in Atlanta

photos of Amy Julia with people she connected with at the Festival of Faith and Writing

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Micha Boyett. On the far right is a photo of Amy Julia.

Penny dances on stage with a scene from the Nutcracker behind her. She and two other dances wear tutu dresses and have their arms rounded and raised above their heads

gradient blue background with geometric shapes and a speech bubble in the middle that says, "Is your daughter low functioning?"

Penny poses inside wearing a Post University t-shirt and holding a Post University orange water bottle as she smiles at the camera

the eclipse framed by trees with a person looking up barely visible in the darkness

a graphic with two photos, one of hands holding a coffee cup and one of the interior of an empty church sanctuary

dark-tinted photo of a purple and a yellow tulip

candid photo of Amy Julia's family grouped together smiling for a selfie outside in front of a house

a screenshot of the NYT essay cover, which is a close-up view of Ashlee Wiseman, bending down to kiss her daughter, Lennie, who is lying on a red blanket. Below is text that says: “‘A Chance to Live’: How 2 Families Faced a Catastrophic Birth Defect. Cases of trisomy 18 may rise as many states restrict abortion. But some women choose to have the babies, love them tenderly and care for them devotedly.”

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Nancy French, a white woman against a neutral background. On the far right is a photo of Amy Julia, a white woman who is wearing a blue shirt and smiling at the camera with her arms crossed in front of her.

photo of geese flying against a dark blue sky that lightens toward the bottom

photo of bare tree branches reflected in a dark puddle of water

Amy Julia and Marilee sit at a linen-covered table on the beach and look out at the sunset over the ocean

screenshot of "Assume that I can" ad which shows a young woman with Down syndrome surrounded by young men with Down syndrome and yellow text overlay that says, "Assume that I can so maybe I will."

an outdoor photo of William, a teenage boy, Penny, a teenage girl with Down syndrome, and their mom, Amy Julia, leaning in close together and smiling at the camera

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Andrew Draper, a white man wearing a suit jacket sitting in front of a dark gray door. On the far right is a photo of Amy Julia, a white woman who is wearing a blue shirt and smiling at the camera with her arms crossed in front of her.

photo from 2022 of Amy Julia, who smiles at the camera and sits at a desk. On the desk, the book To Be Made Well is propped up in front of stacks of books next to a white mug

a photo of 3 teen siblings—Marilee wearing a pink dress, William in the middle wearing a blue shirt, and Penny on the right wearing a blue dress—giving each other a group hug in front of a faint sunset over the ocean

Penny, dressed in her blue and white cheerleading uniform and wearing a jean jacket over it and a pink bow in hair, walks down the school hallway away from the camera

Amy Julia shakes a woman’s hand in a church foyer

screenshot of the cover photo for the "The Blurring Is Part of the Beauty" Comment essay. The photo is of an older man grinning broadly and looking in to the face of a younger man who is touching his chin with his fingers

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Jessica Hooten Wilson, a white woman wearing a pink shirt. She is sitting at a desk in front of full book shelves. On the far right is a photo of Amy Julia, a white woman who is wearing a blue shirt and smiling at the camera with her arms crossed in front of her

a photo looking down at a cluttered desk; in view is a nearly empty, white mug, a coaster that says "Life to the Full," a hair tie, napkins, and papers and envelopes

Amy Julia, a white woman, leans in close to her teenage daughter Penny, who has Down syndrome. They are outside wearing winter coats and hats and are surrounded by smiling women

covers of the books It. Goes. So. Fast. and Practicing the Way, and the cover of the movie Rustin

blurred purple background with a screenshot in the middle from the NYT Essay "Toxic Beauty Standards Can Be Passed Down"

dark blue waves in a storm

a graphic with a screenshot of a NYT essay titled “Scientists find genetic signature of Down syndrome in ancient bones.” The essay also includes a photo of human bones arranged on a blue background.

a photo of a young girl sitting in a church pew looking at the large glass windows at the front of the church

Amy Julia, Penny, and Peter stand at center court and smile towards the camera. Penny is wearing her cheerleading uniform and holding a bouquet of flowers for senior night

dark blue graphic with intertwined blue and yellow partial circles on the left and text that says: Reimagining the Good Life with Amy Julia Becker. In the middle of the graphic is a a photo Andrew Leland, who is a white man wearing a yellow shirt and sitting on a bench. On the far right is a photo of Amy Julia, a white woman who is wearing a blue shirt and smiling at the camera with her arms crossed in front of her

3 children sit on a blanket in the grass and smile at the camera with big grins.

Penny is sitting at a table with a laptop, focused on the screen

light blue graphic and in the center is a dark blue graphic with right-aligned, all-caps text that says: "Reimagining the Good Life." Underneath is a thin yellow line, followed by white text: "Disability. Faith. Culture."

gradient light blue and brown graphic with the covers of the books Practicing the Way an the Wood Between the Worlds

dark blue graphic with cutout photo of Amy Julia, intertwined blue and yellow partial circles, and text that says: Reimagining the Good Life with Amy Julia Becker

the traditional blue and pink striped blanket that babies are wrapped in in the hospital

large piece of paper on a white board with writing from Penny's PATH meeting

snowboarders in the distance looking toward a mountain in front of them

gradient blue graphic with photo of Sarah Bessey in front of a lake with text that says Love Is Stronger Than Fear with Amy Julia Becker and the cover of Sarah’s book: Field Notes for the Wilderness

the book Being Heumann is on a wooden table

a large piece of white paper is on a wooden floor with the following written in large, all caps letters: “Disability and suffering are not the same."

Amy Julia stands outside and holds a young Penny as they grin at each other.

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